I am a jewelry designer. I am fascinated by the construction of natural objects—how a petal folds, how a chain of flowers holds together, how a form can move.I combine 3D modeling in Rhino and Matrix with hands-on work in wax and metal. I enjoy developing both the visual form and the construction of a piece, taking an idea beyond the initial concept and transforming it into a finished object.

I distilled the movement of a flower down to a single, simple action. A component mounted on a pin rises when rotated, lifting the petals with it. Since the petals are also mounted on pins, they swing upward and open simultaneously. One small turn achieves the entire blossoming movement of the flower.

Next to the house where I spent my childhood summers, there was a large field of daisies, and I used to weave long chains from the flowers. When the land was built over and the field disappeared, I wanted to preserve it in a material object. The childhood chain—where one flower joins the next through a cut in the stem—became the structure of the collection’s centerpiece: the flowers connect without extra fasteners, allowing the jewelry to move with the body and catch the light. The daisy symbolizes memory, the chain represents the link between moments of life, and strong titanium captures their preservation in time.

This series is built upon the aesthetics of abandoned ancient forms, where cracks and ivy do not conceal the beauty of columns and sculptures but rather reveal their fragility. Reflecting on the Greek canons, I wanted to discuss the value of natural beauty over the narcissistic pursuit of the ideal. Each piece serves as a reminder of history and the passage of time: value resides in imperfection, authenticity, and the marks left by time, while gloss and flawlessness are an illusion that time will inevitably shatter.