Fingerprint as a principle of surface formation—this is a method of creating relief and texture on an object by transferring the human handprint onto the material.

This research will form the basis for developing a brand collection targeted at an audience interested in experimental clothing featuring textured surfaces, shape-forming elements, or prints that imitate a handprint.

Research Plan:

1. Concept
2. The Human Handprint in 20th–21st Century Art
3. The Bodily Trace in Painting, Performance, and Contemporary Art
4. The Handprint as a Method for Shaping Relief and Surface Texture
5. Techniques for Transferring the Handprint onto Textiles and Other Materials
6. Applying the Print Principle in the Shaping of Modern Garments Conclusion Bibliography List of Images

Wax sculpture as a source of plastic solutions involves using the fluidity, accretion, folds, and deformations of wax to create relief volumes and silhouettes. This research will form the basis for developing a brand collection designed for an audience interested in sculptural clothing featuring hyper-voluminous shapes, asymmetrical silhouettes, and forms reminiscent of solidified wax.

Research Plan:

1. Concept
2. Wax Sculpture in Twentieth and Twenty-First Century Art
3. The Use of Wax in Contemporary Sculpture and Installation
4. Plastic Properties of Wax and Methods of its Deformation
5. Drips, Folds, and Deformations as Principles of Volumetric Shaping
6. Application of Wax Plasticity in Creating Volumes and Silhouettes of Modern Garments
7. Conclusion
8. Bibliography
9. List of Images

Using the glove as a source of form—this involves utilizing its construction, silhouette, and individual elements to create new variations in clothing form and print, as well as reinterpreting a familiar accessory.This research will serve as the foundation for developing a brand collection aimed at an audience interested in clothing deconstruction, transforming gloves into wardrobe elements, and creating silhouettes based on the shapes of the hand, palm, and fingers.

Research Plan:

1. Concept
2. The Evolution of Function and Image of the Glove in 20th-Century Fashion
3. The Glove as an Artistic Object in 20th-Century Fashion
4. The Glove’s Representation in the Works of 20th–21st Century Artists and Designers
5. Deconstruction, Scaling, and Transformation of Glove Form in Contemporary Art
6. Utilizing Glove Form in Creating Structural Elements of Modern Apparel
7. Conclusion
8. Bibliography
9. Image List