This 3D title sequence for Life is Strange is conceptualized like a pop-up book, with each scene unfolding like a new page of the story. The visual language integrates stylized 3D environments, typography, and AI animation to evoke a handcrafted, narrative-driven atmosphere.

The pivotal moment occurs midway through the sequence when both the visuals and the soundtrack suddenly rewind. This shift directly references the game’s time-manipulation mechanic, thereby transforming the sequence itself into an integral part of the storytelling. The project explores how title design can communicate a narrative concept through structure, rhythm, and visual metaphor, rather than merely introducing a name.

I designed Grognek, a goblin who traded the life of a rogue for the role of a Dungeons & Dragons game master. His leather robe, protective helmet, and magical dice earring were designed to reflect both his fantasy background and playful personality.

The project covered the full 3D character pipeline: sculpting, topology, baking, and final texturing. I focused on keeping the model expressive while making the asset clean and production-ready, using material contrast and small narrative details to strengthen the character’s identity.

I created Shishiga, a forest creature built around a dark folklore-inspired concept: an ancient face-stealer that haunts foggy swamps, collecting the faces of anyone who shows emotion before her. The design was developed to make this narrative legible through silhouette, anatomy, and unsettling details—such as the mouth located on her stomach and the collection of faces she carries on her back.

I handled the entire pipeline, from sculpting and modeling to retopology, UV mapping, baking, texturing, and final presentation. My focus was on maintaining the character’s visceral unease while ensuring every element felt deliberate and production-ready. The final result demonstrates how I approach 3D not merely as a technical process, but as a powerful tool for building character, atmosphere, and narrative.

This project is a seamless looping video created for the hero section of T-Bank’s website. Its function is both decorative and brand-focused: to make the initial screen feel more dynamic while maintaining a clean and recognizable visual language.

The T-Bank logo serves as the central element of the composition, revealed through smooth, continuous motion engineered to loop without a visible start or end. This project demonstrates how I approach commercial motion design within a digital experience, integrating branding, rhythm, and technical precision into a visual that can function continuously without distracting from the user interface.