
Hello! I am a communication designer specializing in developing thoughtful visual concepts and bringing them to life through graphic design, brand identity, packaging, print, and digital media.

• 3+ years of experience (worked with Abrau Club, MIYA Art, and RBC Media on packaging, POS materials, social media visuals, motion graphics, and print-ready art)• 10+ freelance clients (worked with independent magazine NobleCurve, online school Sotka, created logo designs, website layouts, tourist map graphics, and merchandise for musicians)• 5+ competition achievements (HSE Creative Open ’24–’25 — shortlist, International Committee of the Red Cross Poster Competition — 3rd Place, Golden Bee International Poster Biennale — shortlist, and others)
I enjoy collaborating with design studios, cultural institutions, independent publishers and publishing houses, as well as established brands and businesses of all sizes.
01
Museum of Woven Stories
visual identity • art direction • exhibition design

◆ Problem: The museum preserves the weaving traditions of northern Udmurtia and aims to draw tourists to a remote village. The challenge was to make local cultural heritage more accessible and engaging.
◆ Solution: Inspired by the thread connecting fabric and loom, the identity combines an interwoven grid, illustrations, and traditional patterns. A two-tone treatment unifies photographs into a consistent visual system.
02
Namaste
packaging design • art direction • POS materials
◆ Problem: Namaste is a brand of traditional Indian milk candies unfamiliar to Russian consumers. The challenge was to communicate their cultural origins while making the product appealing to a new audience.
◆ Solution: Inspired by the Indian tradition of carrying loads on one’s head, the packaging connects the product to its cultural roots. A vibrant color palette distinguishes flavors while maintaining a cohesive identity.




03
PRANNA
visual identity • art direction • brand strategy
◆ Problem: PRANNA required a distinctive visual identity that would reflect its approach to developing and producing cultural projects and remain recognizable across different formats.
◆ Solution: a dynamic logo centered around the metaphor of a staircase reflects creative growth. The flexible identity accommodates the bureau’s internal creative units, while a black, white, and chroma-green palette establishes a distinctive visual language.
04
Animals in Indian Art
book design • visual research • prepress
◆ Problem: The book explores animal symbolism in Indian art, spanning temple sculpture, miniature painting, decorative arts, and Hindu mythology. The challenge was organizing diverse research into a clear, cohesive editorial structure.
◆ Solution: The book is divided into two chapters—animals as divine incarnations and as vahanas (divine mounts)—each featuring five animals. Narrow text columns reference traditional Indian manuscripts, while colorful sections evoke the vibrancy of Indian visual culture.
05
Walt Disney Anniversary Calendar
calendar design • AI animation • prepress
◆ Problem: To celebrate Walt Disney’s 125th anniversary, the calendar needed to present the 12 principles of animation in an engaging visual format.
◆ Solution: Each month explores one of the 12 animation principles. AI-assisted animations bring the illustrations to life through augmented reality, accessible by scanning each calendar page with the Artivive app.

























































