ABOUT ME

I am an Experimental Visual Designer interested in exploring the boundaries of visual communication.

My practice combines graphic design, typography, and visual storytelling. I enjoy experimenting with different techniques, mixing visual languages, and transforming abstract ideas into expressive visual concepts.

For me, every project is an opportunity to explore something new.

MY CREATIVE APPROACH

SKILLS & EXPERTISE

GRAPHIC DESIGN Visual communication, poster design, editorial design, and composition.

VISUAL IDENTITY Branding, art direction, and visual systems.

MOTION DESIGN Kinetic typography, animation, and audiovisual storytelling.

EXPERIMENTAL DESIGN Visual research, mixed media, and creative experimentation.

SOFTWARE

Adobe Photoshop Adobe Illustrator Adobe After Effects Figma

A card game for 2–4 players.You and your friends have gathered at a bar for a night out, and none of you plans on leaving sober. However, as broke students on a tight budget, not everyone can afford to get wasted.Try to outdrink your friends and be the last one standing!

The Brief: Create an entertaining card game for 2–4 players, designed for groups of friends and casual parties.

The Idea: What if a night out at a bar turned into a competitive battle where only one friend could come out on top? Inspired by the realities of student life and limited budgets, the game transforms a drinking night into a humorous competition to outdrink your friends.

The Solution: I developed the concept for a party card game centered on social interaction, competition, and humor. The game combines a bar-night setting with a playful challenge, making every round part of an unpredictable battle between friends.

The Outcome: The result is a concept for a social card game that brings humor and friendly competition to a night out, transforming an ordinary gathering into an entertaining group experience.

CALLIGRAPHIC BOOK / BOOK DESIGNThe Brief: Create an experimental calligraphic book inspired by The Witcher universe, exploring its atmosphere and visual identity through lettering and book design.The Idea: Explore the relationship between the Wolf and the Swallow through the contrast of two characters, their symbolism, and their intertwined destinies. Translate the dark fantasy atmosphere into an expressive typographic language.The Solution: I developed a calligraphic book that merges expressive lettering, hand-crafted typography, and editorial composition. The visual approach connects calligraphy with the fantasy aesthetic of The Witcher, transforming text into an integral part of the visual storytelling.The Outcome: The result is an experimental book design that unites calligraphy, typography, and fantasy storytelling, offering a personal visual interpretation of The Witcher universe.

BRANDING / VISUAL IDENTITY / GRAPHIC DESIGNThe Brief: Develop a visual identity for an Arctic festival in Teriberka, capturing the unique character of the location and establishing a distinctive identity for the event.The Idea: Translate the raw and uncompromising character of the Arctic into a bold, brutalist visual language. Inspired by the contrast between vast natural landscapes and industrial structures, the concept explores harsh textures, strong geometry, and expressive typography.The Solution: I developed a visual identity based on brutalist graphic principles, combining oversized typography, asymmetric compositions, high contrast, and bold graphic elements. The system creates a recognizable visual language adaptable across various festival communication materials.The Outcome: The result is a distinctive festival identity that reinterprets the Arctic through contemporary graphic design, merging the atmosphere of the northern landscape with the raw aesthetics of brutalism.

MOTION DESIGN / KINETIC TYPOGRAPHY / MUSIC VIDEOThe Brief: Create an experimental typographic music video for Radiohead’s track Everything in Its Right Place, translating its electronic sound and atmospheric character into a motion-based visual experience.The Idea: Explore the tension between order and disorientation through typography. Inspired by the track’s repetitive structure, hypnotic rhythm, and fragmented vocals, the concept treats words as visual objects that shift, distort, and reorganize throughout the composition.The Solution: I developed a kinetic typography sequence combining typographic transformations, rhythmic transitions, distortion, and experimental compositions. The movement of the text responds to the music, creating a visual interpretation of its repetitive and unsettling atmosphere.The Outcome: The result is an experimental motion piece that transforms music into a typographic visual narrative, exploring the relationship between sound, language, rhythm, and perception.

LET’S WORK TOGETHER

I am interested in projects that encourage experimentation and creative thinking.

Open to: — Visual identity and branding — Motion design and animation — Music and cultural projects — Editorial and graphic design — Creative collaborations

LET’S CREATE SOMETHING UNEXPECTED.

Have an interesting idea or a creative challenge?

Get in touch.

EMAIL: rina.karankevich@gmail.com TELEGRAM: ravriii